Original Research

Mapping festival adaptations to COVID-19: A quantitative review

Fiona J. Drummond, Jeanette D. Snowball, Delon Tarentaal, Roberta Comunian, Jonathan Gross
African Journal of Creative Economy | Vol 2, No 1 | a16 | DOI: https://doi.org/10.4102/ajce.v2i1.16 | © 2025 Fiona J. Drummond, Jeanette D. Snowball, Delon Tarentaal, Roberta Comunian, Jonathan Gross | This work is licensed under CC Attribution 4.0
Submitted: 28 August 2024 | Published: 31 March 2025

About the author(s)

Fiona J. Drummond, Department of Economics, Faculty of Commerce, Rhodes University, Makhanda, South Africa
Jeanette D. Snowball, Department of Economics, Faculty of Commerce, Rhodes University, Makhanda, South Africa; and South African Cultural Observatory, Gqeberha, South Africa
Delon Tarentaal, Department of Economics, Faculty of Commerce, Rhodes University, Makhanda, South Africa
Roberta Comunian, Department of Culture, Media and Creative Industries, Faculty of Arts and Humanities, King’s College London, London, United Kingdom
Jonathan Gross, Department of Culture, Media and Creative Industries, Faculty of Arts and Humanities, King’s College London, London, United Kingdom

Abstract

Background: The COVID-19 pandemic negatively affected the creative economy. With restrictions placed on live events, many festivals were cancelled. However, some festivals were able to adapt and survive the pandemic.

Objectives: The research tracked festival survival and responses to the pandemic for the period 2020–2022 at the national level in South Africa.

Method: Using 2019 as a pre-COVID base year, a database of South African cultural festivals was created, and their response to each pandemic year was captured. This dataset was then mapped using geographic information systems (GIS). To determine the factors that influenced festival survival during this period, an econometric model was created.

Results: Initially, virtual adaptation strategies were the most common. However, in 2021, lockdown measures began to ease, allowing for more hybrid and live responses. Despite this, approximately half of all festivals found in 2019 were cancelled over the period, and some did not survive. Results of the econometric modelling showed that the main factor determining survival was whether a festival pivoted to a digital adaptation strategy.

Conclusion: There has been a shift in festival responses to the pandemic over time. While undertaking a digital adaptation was important to festival survival because of continuity, there is a strong preference for live events. Festivals that invested in successful virtual adaptations will likely maintain a hybrid element going forward.

Contribution: Previous studies have taken an in-depth qualitative case study approach to understanding festival responses to the pandemic. This research quantitatively examined festival survival and adaptation strategies nationally.


Keywords

estival; digital; South Africa; adaptation; COVID-19.

JEL Codes

L82: Entertainment • Media; O31: Innovation and Invention: Processes and Incentives; O33: Technological Change: Choices and Consequences • Diffusion Processes; R12: Size and Spatial Distributions of Regional Economic Activity; Z11: Economics of the Arts and Literature

Sustainable Development Goal

Goal 9: Industry, innovation and infrastructure

Metrics

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